{"id":85297,"date":"2026-10-08T08:00:00","date_gmt":"2026-10-08T07:00:00","guid":{"rendered":"https:\/\/museoscienze.vda.it\/?p=85297"},"modified":"2026-09-29T13:40:35","modified_gmt":"2026-09-29T12:40:35","slug":"la-salle-des-armoiries-au-musee-de-saint-pierre","status":"publish","type":"post","link":"https:\/\/museoscienze.vda.it\/fr\/la-salle-des-armoiries-au-musee-de-saint-pierre\/","title":{"rendered":"La Salle des Armoiries au Mus\u00e9e de Saint-Pierre"},"content":{"rendered":"\n

Premi\u00e8re salle du parcours d’exposition, premi\u00e8re couche d’histoire du ch\u00e2teau : d\u00e9corations n\u00e9ogothiques du XIXe si\u00e8cle et chemin\u00e9e du XVIe si\u00e8cle portant les armoiries des Roncas et des Saint-Pierre.<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

C’est la premi\u00e8re salle que le visiteur traverse en entrant au Mus\u00e9e r\u00e9gional de Sciences naturelles Efisio Noussan. Les murs sont d\u00e9cor\u00e9s dans un style n\u00e9ogothique, les vo\u00fbtes sont \u00e9labor\u00e9es, les d\u00e9tails raffin\u00e9s. Tout \u00e9voque le Moyen \u00c2ge, mais presque rien de ce que l’on voit n’est m\u00e9di\u00e9val. La Salle des Armoiries (Sala degli Stemmi<\/em>) est l’un des exemples les plus int\u00e9ressants montrant comment le Ch\u00e2teau de Saint-Pierre est, avant m\u00eame d’\u00eatre un mus\u00e9e d’histoire naturelle, un palimpseste architectural : un espace o\u00f9 des si\u00e8cles de transformations se superposent visiblement, chacun avec sa propre signature.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Les transformations du XIXe si\u00e8cle<\/strong><\/h3>\n\n\n\n

L’aspect actuel de la salle est le r\u00e9sultat d’une intervention radicale r\u00e9alis\u00e9e \u00e0 la fin du XIXe si\u00e8cle. Le commanditaire \u00e9tait Federico Emanuele Bollati, avocat et surintendant des Archives d’\u00c9tat de Turin, qui avait achet\u00e9 le ch\u00e2teau en 1873 dans l’intention de le transformer en une r\u00e9sidence de prestige en accord avec le go\u00fbt romantique de l’\u00e9poque. Bollati confia la direction des travaux \u00e0 l’ing\u00e9nieur du Canavais Camillo Boggio, qui avait d\u00e9j\u00e0 con\u00e7u les c\u00e9l\u00e8bres tourelles n\u00e9ogothiques du ch\u00e2teau en s’inspirant des manoirs de la vall\u00e9e du Rhin.<\/p>\n\n\n\n

Pour la d\u00e9coration de la Salle des Armoiries, Boggio fit appel aux peintres Artari et au sculpteur Giovanni Comoletti. Le r\u00e9sultat est un espace au go\u00fbt \u00e9clectique et n\u00e9ogothique, pens\u00e9 pour \u00e9voquer l’atmosph\u00e8re m\u00e9di\u00e9vale d’un ch\u00e2teau f\u00e9odal plut\u00f4t que pour la documenter de mani\u00e8re philologique. Les murs, les vo\u00fbtes et le mobilier secondaire furent enti\u00e8rement refaits \u00e0 cette \u00e9poque, effa\u00e7ant les traces des phases pr\u00e9c\u00e9dentes.<\/p>\n\n\n\n

La seule rescap\u00e9e : la grande chemin\u00e9e<\/strong><\/h3>\n\n\n\n

Dans cette salle enti\u00e8rement r\u00e9invent\u00e9e au XIXe si\u00e8cle, un seul \u00e9l\u00e9ment a r\u00e9sist\u00e9 \u00e0 toutes les transformations : la grande chemin\u00e9e, unique mobilier d’origine de la phase des XVIe et XVIIe si\u00e8cles du ch\u00e2teau.<\/p>\n\n\n\n

La chemin\u00e9e n’est pas seulement un \u00e9l\u00e9ment architectural de valeur ; c’est un document h\u00e9raldique. Sur sa surface sont sculpt\u00e9es les armoiries de deux familles ayant laiss\u00e9 une empreinte profonde dans l’histoire du ch\u00e2teau et du territoire environnant : les Roncas et les Saint-Pierre. Les Roncas furent propri\u00e9taires du ch\u00e2teau au cours du XVIIe si\u00e8cle, apr\u00e8s que les Vuillet en eurent achev\u00e9 la construction au XVIe si\u00e8cle. Les Saint-Pierre \u00e9taient les seigneurs du fief m\u00e9di\u00e9val dont le ch\u00e2teau tirait son nom, et dont la premi\u00e8re mention document\u00e9e remonte \u00e0 1191.<\/p>\n\n\n\n

Deux blasons, deux g\u00e9n\u00e9alogies, des si\u00e8cles d’histoire vald\u00f4taine condens\u00e9s dans un seul ouvrage en pierre. La chemin\u00e9e subsiste comme le t\u00e9moin silencieux de toutes les vies que cet espace a travers\u00e9es, indiff\u00e9rente aux red\u00e9corations du XIXe si\u00e8cle qui l’entourent.<\/p>\n\n\n\n

La salle dans le contexte du ch\u00e2teau<\/strong><\/h3>\n\n\n\n

La Salle des Armoiries se trouve au niveau inf\u00e9rieur du ch\u00e2teau, \u00e0 proximit\u00e9 de l’entr\u00e9e principale. Sa fonction dans le parcours d’exposition est double : elle introduit le visiteur aux collections naturalistes du Mus\u00e9e tout en l’initiant \u00e0 la stratification historique du b\u00e2timent qui les abrite.<\/p>\n\n\n\n

C’est un choix mus\u00e9ographique significatif : le Mus\u00e9e de Saint-Pierre n’est pas un simple conteneur neutre pour les collections de sciences naturelles, mais constitue lui-m\u00eame un document historique, architectural et artistique qu’il convient de lire avec la m\u00eame attention que celle accord\u00e9e aux sp\u00e9cimens pr\u00e9sent\u00e9s dans les vitrines.<\/p>\n\n\n\n

Les fouilles arch\u00e9ologiques men\u00e9es dans le ch\u00e2teau lors des travaux de restauration et d’am\u00e9nagement mus\u00e9al ont permis de mettre au jour du mat\u00e9riel et des structures qui ont reconstitu\u00e9 l’histoire de l’\u00e9difice, de sa fondation m\u00e9di\u00e9vale jusqu’aux transformations du XIXe si\u00e8cle. Les r\u00e9sultats de ces recherches sont document\u00e9s sur les panneaux historiques r\u00e9partis dans les diff\u00e9rentes salles du parcours.<\/p>\n\n\n\n

Comment reconna\u00eetre les armoiries<\/strong><\/h3>\n\n\n\n

Pour ceux qui souhaitent identifier les armes sculpt\u00e9es sur la chemin\u00e9e, le blason des Roncas et celui des Saint-Pierre sont reconnaissables \u00e0 leurs \u00e9l\u00e9ments h\u00e9raldiques traditionnels, document\u00e9s dans les sources historiques vald\u00f4taines. La pr\u00e9sence simultan\u00e9e des deux sur le m\u00eame ouvrage sugg\u00e8re que la chemin\u00e9e a \u00e9t\u00e9 r\u00e9alis\u00e9e ou modifi\u00e9e \u00e0 une \u00e9poque o\u00f9 les deux familles \u00e9taient li\u00e9es : probablement au cours du XVIe si\u00e8cle ou au d\u00e9but du XVIIe si\u00e8cle, lorsque le ch\u00e2teau passa des Vuillet aux Roncas par le biais d’alliances matrimoniales et de transactions patrimoniales.<\/p>\n\n\n\n

<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Premi\u00e8re salle du parcours d’exposition, premi\u00e8re couche d’histoire du ch\u00e2teau : d\u00e9corations n\u00e9ogothiques du XIXe si\u00e8cle et chemin\u00e9e du XVIe si\u00e8cle portant les armoiries des Roncas et des Saint-Pierre. C’est la premi\u00e8re salle que le visiteur traverse en entrant au Mus\u00e9e r\u00e9gional de Sciences naturelles Efisio Noussan. Les murs sont d\u00e9cor\u00e9s dans un style n\u00e9ogothique, … Leggi di pi\u00f9<\/a><\/p>\n","protected":false},"author":11,"featured_media":85310,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9257,52,53],"tags":[17838,17938,18050,18049,17819,17985,17537,17695,17728,17849],"news_category":[17513,17510],"news_expert":[],"news_type":[17520],"class_list":["post-85297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eventi-fr","category-homepage-fr","category-news-fr","tag-castello-saint-pierre","tag-chateau-de-saint-pierre","tag-cheminee","tag-histoire","tag-musee","tag-musee-de-sciences-naturelles","tag-museo","tag-natura","tag-storia","tag-valle-daosta","news_category-musee","news_category-nature","news_type-approfondissement"],"acf":[],"yoast_head":"\nLa Salle des Armoiries au Mus\u00e9e de Saint-Pierre - Museo Regionale di Scienze Naturali Efisio Noussan<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/museoscienze.vda.it\/la-sala-degli-stemmi-al-museo-di-saint-pierre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Salle des Armoiries au Mus\u00e9e de Saint-Pierre - Museo Regionale di Scienze Naturali Efisio Noussan\" \/>\n<meta property=\"og:description\" content=\"Premi\u00e8re salle du parcours d’exposition, premi\u00e8re couche d’histoire du ch\u00e2teau : d\u00e9corations n\u00e9ogothiques du XIXe si\u00e8cle et chemin\u00e9e du XVIe si\u00e8cle portant les armoiries des Roncas et des Saint-Pierre. 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